Odeon TV
Money
Click on the links to listen to the interview.
part 1 http://youtu.be/v7yINY6H_MA
part 2 http://youtu.be/6uKHvK9X6LA
Rassegna stampa
Il Sole 24 Ore
Italian artists more crowded than ever
Sgarbi asks the highbrows to choose the masters. An heterogeneous army arrives at the exhibition and critics reproach it.
Sgarbi states he wants to make the world of art democratic, unhinging the gangs, the clans, going out of the well-known circuits and he entitles the pavillion “Art in not a Mafia”.
here enclosed the whole article
La Stampa
Sgarbi’s controversy: ” At school I already refused the principle of authority”
Rosaria Talarico interviews Vittorio Sgarbi who accepts to talk over urges from his point of view: he doesn’t mind controlling them.
The whole article is here enclosed.
Capital
Occasioni d’autore
Filed with the crisis, according to experts this is the best time to buy.
Milo Goj collects the prominent opinions of collectors, dealers and art experts including Renato Pennisi, Claudia Dwek, Giacinto Di Pietrantonio, Giulio Sangiuliano and Guido Galimberti, who states that “the fall involved the authors who were subject to speculations and the least important works of famous artists. Now the market, once cleared, has recovered and it looks to young people who could become the masters of the future.
“The crisis”, says Galimberti, “pushes art lovers with less disposable income to young authors. I’m thinking of Loris Cecchini, Carlos Garaicoa, Mauro Patrini, Marco Perego, Kiki Smith and Nedko Solakov. Not to mention Anna Pennati, who worked in London and has become a leading artist at the Artspace Galleries in Mayfair; she has just opened an office in Milan”.
Salvadanaio
What fixes the price of the work of art
Milo Goj handles an essential subject for those who want to buy or even sell a work of art: what fixes the value of a work of art?
It isn’t a philosophical disquisition about the value of culture, but a practical considetation about the elements that fix the price of a picture.
In the article, the interview to Guido Galimberti about the role that the indipendent art advisor has assumed in the art market.
Marino Golinelli Foundation
Happy Tech. Macchine dal volto umano
This year La Scienza in Piazza, the event whose aim is to spread the scientific culture and whose promoter, since 2005, is the Marino Golinelli Foundation, becomes Arte e Scienza in Piazza. The heart of the event will be Happy tech. Macchine dal volto umano. Guido Galimberti was pleased to collaborate with the Marino Golinelli Foundation to the realization of the exhibition.
The press review of the Marino Golinelli Foundation is herewith attached.