Fernanda Fedi
Caluso (Turin), 1940.
She pursued artistic studies in Milan and Bologna, graduating from DAMS (Discipline of Arts, Music, and Entertainment) with specializations in Museology, Museography, and Art Therapy. She authored the essay “Collettivi e Gruppi artistici a Milano. Ideologie e Percorsi 1968-1985” published by Endas, and organized conferences and debates on “Woman Art Society 1978,” “Woman Art 1988,” and “Creativity and Therapy.” She has been exhibiting her work since 1968, with over seventy solo exhibitions. After extensive research in the field of structural art with The Crossed Line (1970-1980) and a conceptual period—The Thought Line—Absence (1979-1982), since 1983 her focus shifted to the theme The Line as Tachygraphy, an asemantic mark often associated with music, poetry, the sacred, and ancient writings such as Minoan or Mycenaean scripts.